"The rebellious teenage daughter Susan gets a delicate touch of coquettish vibrato from soprano Judith Weusten. Remember that name."
- Joep Christenhusz, NRC
"The (nearly continuous) vocal line is extremely high. (...) Soprano Judith Weusten hits every note right on and shows great stamina. Despite the high tessitura and the chant-like settings, she manages to make almost every word intelligible."
- Backwards from Winter, James H. North, Fanfare Magazine
Dutch soprano Judith Weusten (b.1993) has been singing since she was a little girl. She began singing along with the Kinderen voor Kinderen songs before turning to musical repertoire. At age eleven she toured the Netherlands in Albert Verlinde's production of Annie and later performed the roles of Aladdin's Jasmine and Maria in West Side Story in her school's productions (Valuascollege, Venlo, NL). Throughout her youth she was a regular participant in talent shows and performance competitions and could often count herself among the prizewinners.
As she grew older, her taste in music began to change. Namely, she discovered an overwhelming interest in classical music and opera. Her voice was more than eager to go along with this transition: in her very first classical competition, The Prix Dominique, she won both the first prize and the audience prize. Later she took part in the prestigious Prinses Christina Concours, where she was selected as a finalist and made it through to the nationwide semifinal.
Judith took singing lessons with Frans Schampers and Rob Meijers before being admitted to study at the Conservatorium van Amsterdam in 2012, under the principal guidance of Pierre Mak and later Valèrie Guillorit. During this time she also received regular coachings from pianist Jan-Paul Grijpink. After graduating in June 2017, her next step began that September with the Dutch National Opera Academy under the guidance of Margreet Honig, and also regular coachings with Peter Nilsson and Nathalie Doucet.
At the Opera Academy, she performed Adina in Donizetti's Elisir d'Amore, Despina in Mozart's Cosí fan Tutte and Lucia in Britten's The Rape of Lucretia among other roles. Recently she also sang the role of Laetitia in Menotti's The Old Maid and the Thief during Amsterdam's annual Grachtenfestival. In 2020 she was scheduled to perform the role of Zerlina in Opera Compact's production of Don Giovanni, before it got canceled due to Covid-19.
She has worked with conductors from all over the world, including Anthony Hermus, Kenneth Montgomery, Stijn Saveniers, Ed Spanjaard and Mikel Toms.
Since 2020, Judith is part of Trio Eolin, a trio with Maria Fredenhold (oboe) and Olga Malkina (organ/piano). Together they play a combination of standard repertoire like Händel and Vivaldi, but also new pieces written by contemporary composers.
Upcoming projects are De Vuurtorenwachter, a new production with BarokOpera Amsterdam, and Fidelio (Marzelline) with Opera Compact, as well as concerts with Trio Eolin. For more information about Judith's upcoming performances, see Agenda.
In addition to the traditional repertoire, Judith has an affinity for modern vocal music. She has worked personally with many living composers on song and concert repertoire and performed the lead role in the Australian premiere of Douglas Knehans' opera, Backwards from Winter. In January 2020, she recorded his most recent piece, Cloud Ossuary, which will be released on CD around the end of that same year.
Follow this link for Judith's performed repertoire.